![]() ![]() ![]() Logic supports almost unlimited MIDI tracks, with a timing accuracy of 1/3,840 of a single note. Additionally, the high-end POW r dithering process produces master-quality results. The 32 Bit internal signal pathway ensures audio quality is maintained throughout. Emagic developed Active MIDI Timing, a proprietary system that moves MIDI data from Logic to the Unitor 8. The resolution is excellent, and the timing is even better when Logic is used with Emagic’s Unitor8 MIDI interface. ![]() OVERVIEWLogic’s MIDI realm offers a 960ppq resolution with impeccable timing. Screenset is a useful function for those who wish to be more familiar with Logic. Hypersets are custom configurations that can be saved and called up to perform specific tasks.įor example, if you have tools you need for one task in one screenshot, and you want to switch to another screen set to do the same task, you can simply touch a key to quickly switch between them. Each data type within MIDI sequences has its own graphic representation that can be modified with different tools via the mouse. The Hyper Editor is a powerful graphic editor that can be used to edit drum sequences or controller data. Many feature-rich programs have been created to seamlessly integrate MIDI/digital audio into a multipurpose production program, thanks to the development of digital audio workstations and personal computers. Tempo data can be edited in a variety of ways and are non-MIDI meta-level events. Logic supports a variety of sync options and includes a Tap Tempo feature that allows you to program real-time tempo parameters. Other buttons include record/pause, play/rewind/forward, and solo/solo lock. ![]() You can enter Autodrop and Cycle location points numerically using the keyboard or graphically with the mouse. Auto drop, which allows you to locate the program’s record punch in the locator, can also be accessed via the switches. This is the program’s loop playback function. The main transport window has switches that allow you to access Logic’s Cycle mode. This will result in increased productivity and creativity. You can achieve your goal of becoming a power user by spending time learning the intricacies. However, this is to be expected with any program that has as many features as Logic. People may be frightened of the learning curve. It will work fine if your music sounds like a soundtrack to an old Commodore 64 video game. Logic’s automation relies on MIDI controller data so the smoothness required for certain mixing situations is not possible. Unexpected fader behavior would sometimes occur. It took me some time to incorporate the unusual automation into my work style. It can be confusing and difficult to keep track of fader information. I have had clients raving about the joys of changing quantization factors in playback in real-time. The MIDI parameters can be modified on the fly and are non-destructive. Individual MIDI sequences, as well as audio information, can be represented graphically. The Sequence Parameter Box is located in the upper right corner. Phase inversion, silence, and DC offset removal are also available. The window offers editing options such as fade in/out and gains change. However, it doesn’t seem as exciting as other “grungier” software processes such as those that incorporate vinyl emulation. DQ allows you to adjust the bit-depth and degree of clipping. It transforms 16-bit audio into something much rawer. The Environment is an elegant and powerful tool that allows you to customize your setup while allowing for high flexibility.Įmagic is clearly targeting the dance market with a new plug-in called DQ, or Dequalificator. Once you dive in, the possibilities are endless. Configuring the Environment to work with a basic MIDI setup can be quite simple. Understanding the Environment might seem like decoding the Dead Sea Scrolls from a technical perspective. The Score Window lets users work with traditional music notation when dealing with MIDI information. This matrix window allows you to edit the signal path routing for all your audio objects, without needing to jump to their respective faders. The Audio Configuration window is another feature. It has aux sends and plug-in inserts that are easily accessible. An audio Environment layer controls the recording, busing, and playback signal paths. Pro Tools 24 support will be a welcome addition for those users who have Pro Tools 24 hardware. Logic Gold and Platinum support the required extensions, which means no more key-disk installations. This gives you full access and control over Logic’s many effects and mixing tools. ReWire allows you to stream audio from external software instruments, such as Reason and Rebirth, into Logic’s mixer. ![]()
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